The Wilson Project Blog of UX/Front-End Developer Ivan Wilson

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Tag Archive / opera

  • And Now This Message From The Author…

    Sorry for the three month delay. Usually reasons: work, personal, and fencing. I would say that nothing has changed but that would be a bold-faced lie. As a matter of fact, more things will be changing in the next six months than the last year.

    Writing

    • Finally starting work on The Information Layer, with the first part ready Saturday, August 6th.
    • Writing a few more blog entries for CDG, one this month
    • One very important blog entry for TWP this month, currently writing now

    Conferences

    Going to a number of events during the last couple of months of this year. Two of the most important are in the month of October:

    Exhibitions

    In short, been really too busy to go any art exhibitions in the last couple of months. However, there are a few that I am trying to get to before they close in September.

    Work

    As I mentioned before, many things will change. How much/what kind will be detailed more in the next TWP blog entry, called “A Love Letter.”

    Indirectly, eventhough Project Charles ended in April, the Delta version of this site will be completed by the end of the year (if nothing else drops from the sky…).

    Fencing

    Well, fencing will be…fencing. Practice three times per week, one competition per month. Still working out the schedule for 2011-2012 season.

    Music

    Due to my work schedule, missed out on attending Met’s performance of Berg’s Wozzeck. However, looking at the 2011-2012 schedule, will be marking my calendar for the following operas:

    • Satyagraha – Philip Glass opera about Ganhdi (November 2011)
    • The Makropulos Case – Leoš Janáček opera, based on a story by Karel Čapek (May 2012)

    Apart from the classical scene – Elbow comes to DC in September (Yeah!!!)

    That is that I have for the next couple of months…

    And yes, I will be taking a vacation. Back to the PNW (Portland, OR/Vancouver, Canada) for my birthday.

    What’s that sound? That’s the sound of my Google Calendar crying like a baby…

  • Wanderlust : February 2011

    Sorry for the month delay in blog entries but it’s been a non-stop rollercoaster of travel and events.

    Here is the shortlist of what happened in after the last blog entry and a few important things happening this month:

    WordPress DC Town Hall with founder Matt Mullenweg

    1.31.2001 – Washington, DC

    This event happened at Fathom Creative, down the road from CDG Interactive.  It was well attended and the sponsor even got an internet stream for online viewing and questions.  Matt was really relaxed, calm guest who talked about how WordPress was started (at the heart, WordPress started as a image gallery) and answered plenty of questions about it, running a business, some things in the works/future as well as what could be better. I asked about how it was doing in the mobile world and got the surprising answer (700% in two years! – with apps in almost every mobile platform).

    IxDA Interaction 11

    2.9-12.2011 – Boulder, CO

    Decided to arrive early to this conference (third time for me) to relax in Boulder and get to a workshop for the first time. However, I fell ill Tuesday morning and spent the following 24-48 hours in bed.  Missed the workshop but attended the full conference. I even got to attend an after-party on the first night (it was definitely an experience, especially the music and its location inside the Boulder Theatre). This conference was well attended and did not disappoint, concluding with the keynote speech from Bruce Sterling (design critic as well as sci-fi writer).

    All the keynotes as well as the individual lightning lectures were all interesting in one way or another.  However, the tone, in my perspective as a developer, was different in that were was more of a focus internally than the last two years. Whereas I was more in sync in the last two (especially with mobile coming up big during this duration), this was more internal than anything else.

    One of new additions to this conference was a day for design-related activities. In my case, it was geocaching, where I spend a few hours in the streets of Boulder playing hide-and-go-seek for hidden treasures. (Thankfully, I was well by then!)

    I will be doing a CDG blog entry on my geocaching adventure later on this month.

    Oh, BTW…it snowed 3-5” and went from single digits (Tuesday) to 60s (Sunday) in one week.

    You thought DC had crazy weather!

    Nixon in China

    2/19-20, 2011 – NYC, NY

    I packed bags again the following weekend, for a trip to NYC for The Met’s presentation of John Adams’ 1987 opera Nixon in China. I last heard this opera on CD a decade ago in college but the performance did not disappoint. Well sung by all the performers and John Adams (who conducted his own work) got a standing ovation.

    What was interesting about the opera, apart from the music, was the whole scenery. As a person who grew up during the last glimmer of the Cold War, some of the scenes were familiar from all the news broadcasts during this time (you know, when you only had TV and print).  The opening scene of the Nixons stepping out of the plane matched the videotape footage to a point where it was eerie.  Of course, the big irony, particularly those in the audience, is how much has changed in the almost 30 years that meeting.  As a point, during a scene in the second act, Pat Nixon was presented with a jade elephant. The official near her remarked "We can make hundreds of them cheaply!", which was followed with laughter (with a tinge of irony) from the audience.

    The second act ended with the agitprop play (the music the basis for a Adams’ stand-alone work The Chairman Dance), which really reminds someone of my age about the old Socialist/Communist displays in the 80’s, or more recently, in North Korea. Of course, the big irony is that so much of that change would start two years later.

    Leaving memory lane, I spent a quiet following day listening to three Shostakovich quartet (11th, 12th, and 15th) and Beethoven’s Grosse Fugue, Op. 133 at Bargemusic with the St.Petersburg Quartet. Back home on Monday (President’s Day).

    And that was my month of February.

    Will be returning to NYC for two concerts:

    • March 26 – NY Philharmonic/Avery Fisher Hall for Bartok’s 1st Piano Concerto
      — I will be able to say that I have heard all three concertos live – 3rd in DC/NSO (2005) and 2nd in Boston/BSO (2007)
    • April 16 – Met Opera for Berg’s Wozzeck
      — Heard Berg’s other opera Lulu last year

    Hopefully, things will slightly quieter further in the year.

    Later (multiple crossing of digits…)

  • EOY

    Early morning from hotel window, Vancouver, Canada - 12/31/2010

    As I am writing this, I am looking at a fabulous view from my hotel room in what some of my friends call my second home of Vancouver, Canada. Part of me needed to get away to here do some end-of-the-year evaluation and some focused thinking about 2011. Then again, I allowed myself to relax a bit during these last days of 2010 (and I watched the Canucks beat the Flyers 6-2 Tuesday night at the home area…)

    But there are some things that occurred during the year that I need to mention before the final ball drop closes the year 2010:

    Fencing

    If you had asked me at the start of the year if I was going to start fencing again, it would have been a firm “NO.” There was no motivation to start again and no one was really asking to do so. And all the focus that I had with fencing went into my work, which paid off big. Irony, the only people who ever asked about me starting up again were my co-workers at CDG.

    Well, after two years, I decided to try fencing again. It has been the only sport that I have some liking to. Not to mention, the least likely to get bored at.

    Another bit of irony is that I restarted with Olde Town Fencing, the club I left almost four years ago. Despite that, the warming response made the comeback easier. Definitely a reminder of why I fence in the first place.

    Despite dealing with various injuries the last month, I am determined to continue my progress and actually compete again after a 2+ year absence.

    Travel

    This year:

    • Savannah, Georgia (IxDA Interaction 10)
    • NYC for opera (The Nose and Lulu) and design (Cooper-Hewitt)
    • Seattle/Canada (Victoria and Vancouver I)
    • For my first time, travel outside the Americas with FOWA/London
    • Of course, Vancouver for end-of-the-year

    For next year:

    • Boulder, Colorado for IxDA Interaction 11 (February 9-12, 2011)
    • NYC for opera with Nixon in China (Adams) and Wozzeck (Berg)

    Project Charles

    Basically, stops and starts. At one point, it was dead in the water. At one point, I almost considered ending the project. However, I caught a break (and some motivation from Tame Impala’s InnerSpeaker album) and did the complete site mockups. Started to work on the HTML templates but delayed due to technical review from the last two conferences I went to. Both made me think about what I was doing and in the end, the decision to make some more substantial changes in my work.

    Restarting work on templates in early 2011 and hopefully finishing the new site by The Wilson Project’s 10th anniversary in April.

    Work

    High point was three conferences:

    • IxDA Interaction 10 in Savannah, Georgia
    • An Event Apart a few blocks from my office in Washington, DC
    • FOWA in London, UK

    Lots of work, punctuated with four blog entries and some other minor additions to the blog.

    However, lots of reflection on my work process, especially considering many of the changes that affected my position as a UI/Front-end developer.

    But more about that in the next entry in this blog…

    Epilogue

    In the end, I remember about ten years ago that I started what would become a 20-month unemployment period. Now, at the end of 2010, thing have changed so much. A number of things that I first experimented with such as XHTML and building pages without table layouts are now not only accepted; they have become the gold standard.

    Now, with Project Charles heading for the finish line (?) in April 2011, more changes are in the pipeline for the next couple of years. Hopefully, 2011 will be a good one, not only for me, but for my family, friends, and especially my co-workers at CDG.

    Happy New Year 2011 from Vancouver, Canada!

  • News On The Homefront

    002

    NYC IxDA Redux

    A big belated “Thank You” to IxDA New York for Interaction 10 Redux (3/6). It was nice to meet all the people who attended and to see all of the presentations that I missed at Savannah.  Would come back for another event hosted by the group if my schedule allow it.

    Of course, that means I have to start paying attention to the home IxDA branch as well.

    More Opera

    Ironically enough, after NYC IxDA Redux, I went back to New York for my scheduled vacation for Met’s performance of The Nose. This weekend, went back to The Met for Lulu, the Alban Berg opera composed a few years after The Nose. Same decade, different moods but both are considered some of the most avant-garde works of their time. This was the last performance for me this season. Already planning for attending two performances next season in 2011 — John Adam’s Nixon in China and Alban Berg’s Wozzeck.

    Futura

    If you have not noticed, the font has changed in this site. After the font change last year, I decided to re-evalute my choice and changed to the first choice of Futura. I like Super Grotesk and it was choosen because of its closeness to Futura. However, there were just some things that I felt were not right (weight, letter styles) for me. It was nagging me in the back of my mind for a few months. So I decided to go back to the first choice of Futura.

    I am still on the look out for any other Futura-like fonts but the right choice has been made right now.

    Recent Blog Entry for CDG

    Last week, finally completed a book review of Morville/Callender ‘s Search Pattern for CDG and posted on the blog. Interesting read and really changed my ideas about search engines and how search result can be displayed for easier use.

    I mentioned on Twitter (5/4) that this would be my blog for CDG for the next couple of months as I will be spending writing for this blog. A consquenence will be some important announcements about The Wilson Project and Project Charles, as well as some important blog entries.

  • What One UI Developer Learned at the Opera

    (Originally published on CDG Interactive/Innate blog, edited by Jennifer Mayne Hoppe)

    Images of the Met production of Shostakovich’s The Nose, produced by William Kentridge –
    Google Search

    A lot of people think of user interface (UI) developers as “tech guys,” but I see myself more as a designer. At its base, design is about solving problems. So I’m really a designer who solves problems through programming. Like any designer, I have to think creatively—and I often find inspiration from the wide world OUTSIDE of my cubicle. (Yes, despite appearances to the contrary, I can function away from the office from long periods of time, like a cubical lungfish…)

    Take, for example, a recent Saturday I spent at The Metropolitan Opera. I watched a performance of an opera titled The Nose. Composed by Dmitri Shostakovich, in 1930, the opera is about an official who wakes up and find his own nose missing, only to find out that it has full life of its own (as well as higher status than he does). The music and the singing were well done, but was really got my attention was the production’s design.

    The design was conceived by South African artist William Kentridge, who is well known for his work with stop animation from drawings and paper cutouts. In this production, Kentridge melds his own aesthetic with historically appropriate references from the 1930s. Specifically, the set design follows the artistic strain of Russia a movement was about breaking and re-interpreting of artistic conventions like the revolution that spawned it.

    Kentridge enhanced the on-stage elements by projecting stop animations into the production. Projected onto the back of the set, the animations looked like early abstract shape animations of the same period in which the opera took place. Then Kentridge mixed the animations with live film and archive film footage. Rather than distracting from the action on stage, these elements truly enhanced the satirical nature of the opera.

    And that’s what really good design does. It frames the content for maximum impact and engages your attention. Great design happens when someone examines a problem thoughtfully and creates a solution that fits so well, it seems like the only solution.

    So now that I’m back “home” in my cube at Innate, I’m taking inspiration from my afternoon at The Met, and striving to find the most elegant, effective, and engaging solutions to the design and technical challenges that I’m working on.

    Such is the life of a UI developer!